Saturday 2 February 2013

Bath time, Boris and Bowie

I'm still feeling guilty after Thursday night.
Sophie was in her luminous green bathtub, gifted to her by her Uncle Colin and Auntie Jillian, kicking and bobbing about the usual for seven o’clock on an evening. As it was Thursday it was my turn for bathing baby Sophie, as I’m generally never home in time Monday to Wednesday. Holding her small body semi afloat in the tub Sophie lay back, a looking around little uncertainly as usual, but generally content. Sophie’s big wide eyes gazed up at the ceiling taking the occasional break from the plaster to look up at me as I struggled to keep her at the same horizontal angle.
Sophie likes to moves around, you see. She likes to try and turn herself around in the shallow depth of water and explore it as she lies but then usually changes her mind at the last minute as the water hits the side of her big eyes and it’s usually at this moment she’ll start to freak out and moan for help. Generally speaking she does like the bath. Sophie certainly doesn’t cry and scream when in the water but she also doesn’t laugh and giggle, she merely lies back and looks around, sometimes with a look of wonder upon her face, as she sporadically kicks her legs out to splash the water over the end of the bath on to whom ever is bathing her. Her arms remain outstretched at either side, evidence of her uncertainty with the wet surroundings, occasionally jerking and moving as she sometimes grabs for the side of the bath or the hair on your arm with her small hands, which are topped off with her unclipped long nails. Sophie will usually be quite content until it’s time to leave the water, at which point she’ll then start screaming the place down.
Thursday was different, however. Sophie started screaming early.
Whilst holding Sophie with my left hand, her head cradled in the palm of my hand and my arm under her back, I reached down to grab one of her toy plastic fish with my other hand. These plastic fish only occasionally join Sophie in the bath. They are small, colourful plastic toys with a hole at the mouth where they will fill with or, if squeezed, release water from. Sophie sometimes likes getting the water squirted from the fish on to her tummy so, in order to keep her entertained, I reached for one of the fish with my right hand. Unfortunately, just as I did this, Sophie decided to take one of her exploratory turns and swivelled her head round on to it’s side in the palm of my left hand. Looking up I realised Sophie had moved and was inadvertently gulping water. Spinning my baby back round on to her back I accidentally forced Sophie to gulp down the water she’d taken into her mouth and after a rather heavy gulp, worthy of the best Scooby Doo impression after seeing another particularly scary ghost, her gulping mouth grimaced and an intense scream was released from within her. The crying and screaming refused to cease. No matter how much I tried to placate my wee daughter, she was not having it. Not even to put her pyjamas on. Ka trudged upstairs to investigate the intense screaming and ended up taking over. Sophie would not be pacified. Her father had tried to drown her and was no longer trustworthy. So that was me for the rest of the night. Riddled with guilt. Waved away with a frown and an impatient hand whenever I approached.
It’s quite worrying when Sophie goes into those fits of grief. A grimace will come over her face which will turn a pale shade of scarlet and Sophie will start shaking her head slowly from side to side as a loud scream slowly emits and grows from within her. It often reminds me of the lion in the opening credits of an MGM movie, except fiercer, louder and scarier.
Thankfully, Sophie seems to have forgotten the watery incident in the bathtub on Thursday evening and is now far more relaxed around me again after a Friday spent shopping with her Mum and Auntie Chris while I sat in the Central Quay office making up the promotional adverts for the week to come.
The estate agent dealing with the flat, (what are we calling them, “Your Maneuver”?), called today to inform me that our new tenant had now picked up the keys. Yes, finally. After six months the estate agent has finally found someone. Whether they’ll last or not is a different matter. Fingers crossed.
Ka and myself were back in the flat yesterday, giving it a little wipe down and taking photographs for an inventory, an itemized list of the flat’s fixtures and fittings.
That’s inventory, pronounced “invintory” rather than “invent-ory” as I have been inadvertently pronouncing it. Even though I know it is pronounced “invintory”, I somehow struggle to enunciate it this way. On more than one occasion during the conversation with Liz, the estate agent, I accidentally pronounced it “invent-ory”. This makes it sound like some form of waterway where you go to devise new creations.
Kelvin Okafor. Now there’s a guy that comes up with some fabulous creations. Ewan, my boss in the studio, showed me the BBC report on this guy yesterday. Okafor, an artist from Tottenham, draws with pencil and charcoal to create the most amazing photo realistic portraits you’ve ever seen. To look at them you’d think they were simply photographs against a plain white background they are that impressive. The report even said that a lot of his work is drawn from memory, which reminded me of another brilliant London artist, Stephen Wiltshire.
Wiltshire draws whole cityscapes, intricately detailed, all from memory. Recently Wiltshire was on the news once more after drawing the view of London city from the top of the Shard.
At 800ft high the triangular Shard is Europe’s newest and tallest building. Designed by Italian architect Renzo Piano, the Shard is part of a £2 billion redevelopment in its area of South London. The tall, triangular glass building is filled with offices, luxury apartments and restaurants and sure to be another major tourist attraction after its grand opening yesterday. Boris Johnson, with yet another of his fantastic, colourful, speeches described it as “the tip of a cocktail stick emerging through the skin of a super colossal pickled onion”. That’s one hec of a cocktail stick. Bigger than the one I seen in Edinburgh when U2 brought the Popmart tour to Murrayfield. They had an olive though, not a pickled onion, not to mention the giant mirrorball lemon on stage. The band must have been having some sort of mid life creative crisis back in ‘97.
Something David Bowie has presumably been suffering for the past decade after being away from the music scene for so long. You could argue that it’s not exactly “mid-life”, (that may have been Tin Machine) but on the Tuesday morning of January 8th on the dawn of his 66th birthday news broke that he had released a surprise single to the world. I heard the single “Where are we now?”, on the Chris Evans Breakfast Show in the car on the way into work. The slow, melancholic music was not what I had expected as a “comeback” single but, as the weeks have gone on, it’s grown on me none the less. Throughout the song Bowie reflects back on his Berlin days, where he escaped to in an effort to battle his drug addiction and whilst doing so produced ‘Heroes’, ‘Low’ and ‘Lodger’ hanging out with Brian Eno and sharing an apartment with Iggy Pop, surely a strange choice for a flatmate when you’re trying to get off the drugs.
Anyway, it’s now 5.30pm on Saturday evening. Ka is out for Agnes’ retirement shindig, in which they’ll be dining in luxury at Jamie Oliver’s George Square restaurant. Just as they’ll be tucking into their main course and sipping their wine, served up by the finest chefs and waiting staff in the land in the splendour and convivial surroundings of the tv chef’s Glasgow restaurant branch I’ll be taking Sophie back up to the luminous green bathtub. Wish me luck.

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