Christmas trees and clockwork

Whilst lying watching ‘The Mummy Returns’, on Saturday afternoon, I barely made it through half a piece of toast before I had to rush to the toilet and dispose of some stomach innards. Mixing beer with wine is never a good idea and should always be steered well clear of. Unfortunately, as it was the work Christmas dinner the night before, this didn’t quite happen and I’d fallen into the same old trap.
Still, my trip to the toilet seat made me feel much better, so, afterwards, Ka and myself headed out on our annual trip to the local Homebase to buy a nice, fresh, and most importantly, real, Christmas tree.
It's always either Homebase or B&Q, the prices are much the same, though not, unfortunately, year to year.
The Christmas trees have shot up. The tree prices have risen in another year. The pricetag seems to be jumping up by a fiver every year.
Last year we forked out £30 for a 5ft - 6ft tree and this year we struggled to find a decent looking tree under £35.
What's going on? Are Christmas trees getting scarce? Is global warming killing them off, decreasing their number? Or are the Tree Growers Association just getting a bit greedy?
Inflation and recession, I’m sure that’ll be to blame.
We ended up economizing this year and bought a shorter, 4ft to 5ft, Cut Nordman Fir at £25. It seems a good deal shorter than our usual tree but still doesn't look too small in our wee flat. Once it was home, up, lit and decorated it looked great in the corner of the living room.
As much I dislike the idea of buying an artificial tree, it may have to be done at some point in the years ahead in order to save the pennies. Either that or a few years down the line Ka and myself will be finding ourselves somewhere in the middle of Whitelee Wind Farm, at the back end of East Kilbride, in the middle of the night, chopping the top six foot off one of their giant Firs. There’s plenty of trees up there and the paths are always open for a perfectly innocent Christmas walk, with my Dad’s chainsaw.
Getting the tree decorated was the next challenge.
Why is something so trivial and something that should be enjoyed, whilst bopping along to Kim Wilde or Shakin Stevens, always such a bl**dy hassle?
Somehow, during the past year, alone, in their cardboard box, the tree lights had tangled themselves up. They were now involved in some sort of twisted, spaghetti like, tightly packed mess. For half an hour I sat on the couch untying Christmas lights, huffing and puffing. The line of golden beads then had to be untangled and then I discovered Ka had wrapped all our baubles up in layers of bubblewrap, as if they were travelling to some distant destination by Royal Mail handlers or taking part in some sort of Krpton Factor like pass the parcel challenge.

One tree ornament I’d ordered for the tree this year was a special decoration in memory of Lucy. A rather nice glass heart with a gold lettered print over it. I’d found them around a month or so ago online (keepsakekreations.co.uk). Ka hung the heart on a branch alongside Lucy’s small Christmas bear.
After a good workout at the gym on Sunday morning we took a trip into town and threw ourselves into the masses for an hour or so for some Christmas shopping before seeing Martin Scorsese's new film, 'Hugo'.
‘Hugo’ is a brilliantly realised family fantasy starring the Boy in the Striped Pyjamas' Asa Butterfield, as a young orphan who survives behind the walls of Paris' largest Railway Station carrying out his missing, drunken Uncle’s jobs of keeping the station’s clocks running on time. From his vantage point, up behind the large clock faces which inhabit the station, Hugo watches life go on, seeing the film’s various secondary characters playing out their lives who include Sacha ‘Ali G’ Cohen who plays a war scarred Station Inspector, Frances de la Tour the local coffee shop owner and Christopher Lee, the owner of the second hand book shop. All live out their daily lives unaware of Hugo’s watchful eyes from behind the clocks hanging from the high girdered roof, whilst the young boy works at repairing the one thing left to him by his father, an old clockwork, automaton.
Hugo soon befriends Isabelle, a girl under the care of one of the station’s other daily inhabitants, a miserable old toy shop owner, played by Ben Kingsley, who turns out to have a whole other side to him, a film director from before the war. A past he struggles to live without.
Through the movie, and the creative genius of Ben Kingsley’s character and the young, innocent, spellbound eyes of Hugo, Scorsese illustrates his own obvious love for cinema and it’s origins, perhaps looking back on his own early inspirations in movie making. Along with hints of old director’s such as Fritz Lang and directors of our own age, such as Speilberg and Jean-Pierre Jeunet, Scorsese creates a brilliant piece of feel good Christmas cinema.
Saying that, for a family film there was quite a lot of depressing themes involved in the story. Death, loss, bereavement, aging, the effects of war, the dashing of dreams, the ongoing, ever persistent onslaught of time.
Not ideal entertainment and escapism is it?
I’m surprised the economy, the state of the euro, the latest unemployment figures, the ongoing uncertainty at S&UN and the inflating price of real Christmas trees, weren’t mentioned, just to increase the season’s spirit.