Skull Splitter, Dragonhead Stout, Devil’s Advocate and Stone the Crows. Just a few of the beers on offer last week at the 13th Ayrshire Real Ale Festival in Troon town hall. Straight after work, on Friday night, I jumped in the car and headed out to Barassie to meet up with Dad and Dougie at Tom and Linda’s house. The plan was to get a quick dinner in the Barassie Reid’s house before heading out to the annual beer festival, staying the night with my Aunt and Uncle and the two dogs, Sally and Jake.
Dougie and Dad, who’d been at last year’s beer swilling event, had the spare rooms and I had the luxurious splendour of the living room floor, so whilst the two Dad’s were out getting everyone a fish supper, or a steak pie supper, in my case, Tom and myself pulled the couch cushion in from the mobile home, parked outside in the side driveway, ready for another trip the next Sunday morning.
Four giant portions of fish and chips and a steak pie supper later, we were ready to go. I knew agreeing to the chippie was a mistake as soon as I agreed to it. Eating that amount of food with the intention of then drinking a copious amount of beer could not be a good idea, surely?
Leaving Linda indoors with the dugs, Tom, Dougie, Dad and myself piled into the car and drove down to the Troon town centre, heading straight for the large concert hall after a brief stop off at the seafront Morrisons for a quick visit to the cash machine.
Once parked and disembarked outside one of the small, cosy looking bungalows on Academy Street we followed the few passers by up towards the Troon Concert hall, where, according to the notice board standing outside, Donnie Munro was to be playing at the beginning of November.
One of Mum’s favourites, Donnie Munro is the former lead singer of Runrig, the Scottish, gaelic speaking, celtic rock band. Donnie left to be a politician back in 1997. He’d played his last gig with Runrig at Stirling Castle on August 29th. I know because I was there, along with Colin, Chaz and Adie. Shazz was also there with relations, somewhere in the crowd. Colin had always been into Runrig and I wasn’t unfamiliar with them after hearing more than a few of Mum’s albums, not to mention my Uncle Laurence’s tapes. The 1988 live video ‘City of Lights’ was also a favourite of Mum’s. The live video began with lots of sweaty, eager looking Runrig fans trampling over one another to get through the front doors of the Barrowlands whilst Radio Clyde reported from the Eye in the Sky, circling the gloomy towers and rooftops of Glasgow as the opening drums of Dance Called America boomed through the echoing ballroom. At the time of the farewell gig in Stirling we must have been going through a particularly patriotic musical phase and had even cajoled Adie and Chaz into liking them, although I think that was down to the fact a few of the songs had rather loud drums which sounded good emanating from a bass tube.
I’ll never forget that Farewell Donnie Concert. Not because the singer officially left the band that night, or because we met the man himself and Runrig guitarist, Rory MacDonald straight after, but because suffering a slight hangover, Dad woke me up the next morning and told me Princess Diana had been in a car crash earlier that morning and died soon after.
Anyway, Donnie’s political career obviously didn’t work out fabulously so he’s back at the music, much to Uncle Tom’s vexation (“Runrig? They’re rubbish - Name one good tune?!”) but the night of the 13th Ayrshire Real Ale Festival was going to have a very different kind of music.
Paying our £4 each and receiving our pint glasses and programmes in the process we ventured forth into Troon’s crowded concert hall. A bar took up the whole of the right side of the large hall, barrel’s piled up behind, all with A4 paper labels displaying the many wonderful varied names of the sweet nectar stored inside, all colour coded indicating which kind of category they each fell into. A bitter, a best bitter, a golden ale, a strong bitter, an IPA, a mild, a stout or a Speciality ale. Over 120 beers were being served over the bar, £3 a pint or if you wanted to drink quicker, and taste more, £1.50 a half pint. The bar was run by a large bunch of volunteers from the organisers, Camra, the Campaign for Real Ale organisation whose posters adorned the walls shouting about petitions to George Osborne whose apparently taking over two thirds of the cost of our pint as we drink.
After visiting the Real Ale festival with Tom last year, Dad and Dougie, had told stories ever since of great beer and good music so I was curious to see what kind of music this occasion was going to serve up. As we shuffled through the crowd for our first beers, guys moved around on the stage at he end of the hall with wires and instruments.
First up, I tried the Kelburn Jaguar, a smooth, fullbodied ale with undertones of grapefruit and citrus with a hoppy aftertaste. No, I have not turned into the beer version of Jilly Goolden, I am merely reading from the programme, though I do remember this being the best beer of the night. As the crowd of drinkers got busier, a few of Tom’s mates introduced themselves, each with their own flagon of ale, and the band took to the stage.
Big Licks’ surprisingly good loud cover versions soon had Troon Concert Hall rocking with hits from the likes of the Goo Goo Dolls, Tom Petty, the Stones, Lenny Kravitz, Primal Scream and a whole lot of others. Three guitarists, one a bassist, a drummer and a lead vocalist who immediately reminded me of Bill Nighy from “Love Actually”. He was around the same age with a similar hairstyle, except a little longer at the back and a bit balder on front, with similar Bill Nighy glasses. He made very decent attempts at the cover versions’ vocals, and jumped around the stage flinging the microphone stand around rather well, considering his age, smiling and laughing through his rather pronounced teeth excitedly. The bass guitarist looked on a little bored in his dark T-shirt and jeans, nodded emphatically to the beat, as most bass guitarists do, whilst the two other guitarists worked hard over their fretboards, spinning off into the occasional impressive solo between pints delivered to the top of a local amp by their wives.
Second beer of the night was the Golden Plover, a light, golden ale that was exceedingly easy to drink as we hummed along to the music. A beer named Red Dwarf followed as the third beverage of the night. I seen the name in the book and thought that since the new series had now started back I owed it to Doug Naylor himself to give it a bash. Another good choice.
Losing track of my beers, though taking it a little easier following the steak pie supper, I’m not sure what was drunk after the Red Dwarf but last of the night was by far, the worst. Merry Maiden’s Mild was this particular tipple’s title and it was in no way merry or mild. It was like drinking watery, alcohol imbued syrup.
Pretty horrible. Especially as I had to drink this one rather quickly.
The witching hour had swiftly come around and Tom informed us we’d have to run for the free train journey home to Barrassie. Dad, Dougie and myself followed Tom and his pal, a short running pal of my Uncle’s, up Academy Street towards the train station. Unfortunately we were travelling upwind.
As we walked there were some distinctive noises from one of the arses walking ahead of us and unfortunately we walked straight into some clouds of definite noxious nitrogen mixed with carbon dioxide with what tasted like the Merry Maiden’s Mild.
Up ahead, the train [ulled up at the station at the top of the hill. Tom and his pal arrived at the train station just as the doors slid open to the waiting crowds of beer swillers and other Friday night travellers. We had to run up the last hill behind them, after having deliberately fallen a safe distance behind whilst debating which of the guys the putrid gases were exiting from. Just as we ran up behind, gasping after the short jog, Tom’s short pal gave another loud frump. Our timing for arriving at their rear, out of breath, could not have been worse and as we suffered in another cloud of rectum gases.
After two minutes on the crowded train the five of us disembarked at Barassie, where Tom’s short pal left us with one last fart, propelling himself up Barassie station’s cross platform stairway behind some chattering girls. Tom had invited him back for some toasted cheese but I wasn’t too keen on the consequences of some more beer being introduced to the guys system, not to mention the cheese. Sally and Jake would have been packing their bags, never mind the rest of us.
Although Sally did almost get a rather more comfortable bunk for the night before we all headed off to bed. Just as we all parted from the living room following our toasted cheese, and Tom’s trip through his concert ticket memory box, I visited the bathroom to clean the old gnashers. Whilst I was brushing everyone else had a good laugh as, the now elderly, Sally made herself comfortable in my cosy mobile home couch cushion and sleeping bag set up on the living room floor.
She looked so comfortable.
I kicked her out.
Showing posts with label Concert. Show all posts
Showing posts with label Concert. Show all posts
Sunday, 21 October 2012
Friday, 22 July 2011
The good, the bad and the funky
“Who are they then?” Dave frowned, turning in his chair in the new workplace, the stiflingly hot office with broken down air conditioning.
“Who the hell are the Tom, Tom, Club?” Mum frowned over her spectacles, as she put her book down in the conservatory yesterday.
“Whose the Tom Tom Club then?” Colin frowned, after opening his birthday presents which included a Miles Kane album and a remote controlled Dalek. “Jillian said they something about a bunch of councillors or something?”
“Let’s go see the Tom Tom Club th’night guys” a wee ned laughed, as he passed the O2 ABC on Sauchiehall Street. “Whoever they ur!”
Nobody knows who the Tom Tom Club are. Except from the mixed, happy crowd that occupied Glasgow’s ABC2 club on Wednesday night.
Ka and myself were among them, bopping away to the good, the bad and the funky beats.
The Tom Tom Club are the band formed in 1981 by Talking Heads’ bassist Tina Weymouth and drummer husband Chris Frantz, originally formed as a side project for the two of them which, when Talking Heads split in the late eighties, then became their main project. They were and are an original, new wave, electro pop, rock outfit and very rarely make live appearances in Britain, never mind Scotland, so, being a Talking Heads fan, I bought the tickets a few weeks ago out of sheer curiosity. It was a good gig, more rock than rap.
Cheers went up in the small ABC2 as Billy Sloan walked out on to the stage bringing the DJ’s set to a close around nine, introducing the band on to stage. The band performed till late playing their hits along with their three famous cover versions and one or two surprises from the Talking Heads catalogue, including a fantastic ‘Psycho Killer’ to finish off, making a lot of the gathered fans very happy, some exceptionally so. One lassie headbanged her way through the gig, making me suspect she’d taken a wrong turn somewhere and was actually supposed to be in the SECC, watching Iron Maiden and was just too drunk to realise. Her sweaty hair swung and spun around her head into surrounding members of the audience before us, one of which was a pretty tall guy in a red T-shirt. This guy was not popular either as he kept letting off the most horrendous smelling farts, ruining the following five minutes of the gig for us standing behind him with his offending gases. Gawd knows what he’d been eating.
On my way up to the ABC to get the tickets, before the gig, leaving Ka sitting outside Bar Bhudda in the dying sunshine, I passed by the Tom Tom Club as they ambled down Sauchiehall Street together, presumably for a bite to eat. As I was running I’d already past the small motley crew before I realised that it was actually them and it was with considerable excitement that I arrived back down at the bar, tickets in pockets, to hurriedly ask Ka if she’d seen them.
“Seen who?” Ka frowned.
“The Tom Tom Club!” I gesticulated urgently, people frowning, looking up from their drinks from surrounding tables. “They must have passed right by!”
“Oh, is that who they were?” Ka nodded in realisation, recognising the description I gave her. A couple from Newcastle, sitting at the table alongside us, nodded knowingly.
“We’re going too” the rather boring looking couple nodded. Following a brief conversation with the couple from Newcastle (who originated from Glasgow, according to Ka, but had been living down south for nine years) a bird sh*t on me. The second ‘sh*tty’ situation in a week and the second bird poo I have received on Sauchiehall Street.
Anyway, following the gig, some members of the Tom Tom Club came out to mingle with the crowd.
As Ka and myself left we passed Victoria Clamp, the singer who accompanies Tina on vocal duties. I interrupted the conversation she was having with two other blokes to thank her for the show which she politely nodded and thanked me for, looking a little disturbed at the same time as she seemed to have been accosted by a strange, shivery looking bloke who apparently didn’t have anywhere to stay for the night.
Before the show had started I’d also shook Frankie Boyle’s hand. Ka had been in the loo when I suddenly noticed a familiar, heavily bearded, bespectacled, face minding his own business, supping a pint with his bespectacled wife in the quiet, but steadily busying crowd before the stage. As Ka eventually emerged from the loo I led her up towards the bar but took a slight detour by the controversial, Scottish comedian. Ka sighed and rolled her eyes, again not realising, wondering who it was I’d met now. It was not until after my cheery ‘pleased to meet you’ and friendly handshake that Ka’s eyes recognised the bearded man before her.
Boyle had seemed happy enough, and polite enough, to acknowledge the recognition, shifting his pint to his other hand for the handshake which he greeted with a smile and a nod.
You hear horror stories of people meeting celebrities in the street and being given unfriendly replies to hellos or, if you’ve really got the balls, autograph requests. For instance there was more than a few stories of innocent, excited bystanders greeting Billy Connelly and being given a rude and rather severe “f**k off!” in return.
I’ll never understand that myself. Being rich and famous is surely a privilege and being recognised in the street is surely expected to come hand in hand with such a chosen career, so why be rude in such a fashion to the people that keep you in the job? Okay, you might be having a bad day, but there’s no need for bad language surely? If you were to see someone famous in the street and start slinging insults at them, their work or their latest movies, I’m sure a “f**k off!” would be justified, but if you’re simply saying hello, surely a simple nod would suffice.
Boyle obviously understands this and is quite willing to shake the hands of a passing concert goers, happy after a few pints. Either that or he is now treasuring any pleasantries he can get after the criticism he got for slagging off Jordan’s kid.
Frankie’s wife frowned as the strange, smiling bloke walked off to the bar, towing his own wife behind.
“Who was that then?”
Frankie looked round at her and shrugged.
“No f***in’ idea” he hummed with a slight shake of the head taking another sip from his pint. “Just another to**er”.
His wife sighed with a nod as she took another drink from her vodka and coke.
“So” she frowned again, as she looked round towards the stage. “What’s this band called again?”
“Who the hell are the Tom, Tom, Club?” Mum frowned over her spectacles, as she put her book down in the conservatory yesterday.
“Whose the Tom Tom Club then?” Colin frowned, after opening his birthday presents which included a Miles Kane album and a remote controlled Dalek. “Jillian said they something about a bunch of councillors or something?”
“Let’s go see the Tom Tom Club th’night guys” a wee ned laughed, as he passed the O2 ABC on Sauchiehall Street. “Whoever they ur!”
Nobody knows who the Tom Tom Club are. Except from the mixed, happy crowd that occupied Glasgow’s ABC2 club on Wednesday night.
Ka and myself were among them, bopping away to the good, the bad and the funky beats.
The Tom Tom Club are the band formed in 1981 by Talking Heads’ bassist Tina Weymouth and drummer husband Chris Frantz, originally formed as a side project for the two of them which, when Talking Heads split in the late eighties, then became their main project. They were and are an original, new wave, electro pop, rock outfit and very rarely make live appearances in Britain, never mind Scotland, so, being a Talking Heads fan, I bought the tickets a few weeks ago out of sheer curiosity. It was a good gig, more rock than rap.
Cheers went up in the small ABC2 as Billy Sloan walked out on to the stage bringing the DJ’s set to a close around nine, introducing the band on to stage. The band performed till late playing their hits along with their three famous cover versions and one or two surprises from the Talking Heads catalogue, including a fantastic ‘Psycho Killer’ to finish off, making a lot of the gathered fans very happy, some exceptionally so. One lassie headbanged her way through the gig, making me suspect she’d taken a wrong turn somewhere and was actually supposed to be in the SECC, watching Iron Maiden and was just too drunk to realise. Her sweaty hair swung and spun around her head into surrounding members of the audience before us, one of which was a pretty tall guy in a red T-shirt. This guy was not popular either as he kept letting off the most horrendous smelling farts, ruining the following five minutes of the gig for us standing behind him with his offending gases. Gawd knows what he’d been eating.
On my way up to the ABC to get the tickets, before the gig, leaving Ka sitting outside Bar Bhudda in the dying sunshine, I passed by the Tom Tom Club as they ambled down Sauchiehall Street together, presumably for a bite to eat. As I was running I’d already past the small motley crew before I realised that it was actually them and it was with considerable excitement that I arrived back down at the bar, tickets in pockets, to hurriedly ask Ka if she’d seen them.
“Seen who?” Ka frowned.
“The Tom Tom Club!” I gesticulated urgently, people frowning, looking up from their drinks from surrounding tables. “They must have passed right by!”
“Oh, is that who they were?” Ka nodded in realisation, recognising the description I gave her. A couple from Newcastle, sitting at the table alongside us, nodded knowingly.
“We’re going too” the rather boring looking couple nodded. Following a brief conversation with the couple from Newcastle (who originated from Glasgow, according to Ka, but had been living down south for nine years) a bird sh*t on me. The second ‘sh*tty’ situation in a week and the second bird poo I have received on Sauchiehall Street.
Anyway, following the gig, some members of the Tom Tom Club came out to mingle with the crowd.
As Ka and myself left we passed Victoria Clamp, the singer who accompanies Tina on vocal duties. I interrupted the conversation she was having with two other blokes to thank her for the show which she politely nodded and thanked me for, looking a little disturbed at the same time as she seemed to have been accosted by a strange, shivery looking bloke who apparently didn’t have anywhere to stay for the night.
Before the show had started I’d also shook Frankie Boyle’s hand. Ka had been in the loo when I suddenly noticed a familiar, heavily bearded, bespectacled, face minding his own business, supping a pint with his bespectacled wife in the quiet, but steadily busying crowd before the stage. As Ka eventually emerged from the loo I led her up towards the bar but took a slight detour by the controversial, Scottish comedian. Ka sighed and rolled her eyes, again not realising, wondering who it was I’d met now. It was not until after my cheery ‘pleased to meet you’ and friendly handshake that Ka’s eyes recognised the bearded man before her.
Boyle had seemed happy enough, and polite enough, to acknowledge the recognition, shifting his pint to his other hand for the handshake which he greeted with a smile and a nod.
You hear horror stories of people meeting celebrities in the street and being given unfriendly replies to hellos or, if you’ve really got the balls, autograph requests. For instance there was more than a few stories of innocent, excited bystanders greeting Billy Connelly and being given a rude and rather severe “f**k off!” in return.
I’ll never understand that myself. Being rich and famous is surely a privilege and being recognised in the street is surely expected to come hand in hand with such a chosen career, so why be rude in such a fashion to the people that keep you in the job? Okay, you might be having a bad day, but there’s no need for bad language surely? If you were to see someone famous in the street and start slinging insults at them, their work or their latest movies, I’m sure a “f**k off!” would be justified, but if you’re simply saying hello, surely a simple nod would suffice.
Boyle obviously understands this and is quite willing to shake the hands of a passing concert goers, happy after a few pints. Either that or he is now treasuring any pleasantries he can get after the criticism he got for slagging off Jordan’s kid.
Frankie’s wife frowned as the strange, smiling bloke walked off to the bar, towing his own wife behind.
“Who was that then?”
Frankie looked round at her and shrugged.
“No f***in’ idea” he hummed with a slight shake of the head taking another sip from his pint. “Just another to**er”.
His wife sighed with a nod as she took another drink from her vodka and coke.
“So” she frowned again, as she looked round towards the stage. “What’s this band called again?”
Friday, 1 May 2009
How to stay awake
Last night Ka and myself were up in the circle of the Glasgow O2 Academy. This great venue, formerly the Carling Academy (not sure why it's changed it's name) was host to the American band The Fray last night. The tickets were bought as a birthday treat for Ka as she has quite liked them since they came out of the woodwork with their debut album and single, 'How to Save a Life', which was probably guilty of being horribly overplayed on both the radio and many an american television drama. Not being particularly interested in them and having always thought them to be pretty mediocre I went along not expecting much. Although I did almost fall asleep at one point and the slight pain in my back from sitting in the Academy's seats kept niggling at the back of my mind, I did, surprisingly, quite enjoy the performance. The band translated quite well live and although a lot of their tunes have the tendency to sound a little too alike there were some definite stand out songs. None of which I can mention, of course, as I don't know what they're called. Whether it's The Rolling Stones or Gary Numan, U2 or Electric Six it's always good going to a gig just for the whole live experience at least. As long as the act keeps you awake of course.
Labels:
Carling Academy,
Concert,
Glasgow,
Music
Wednesday, 1 April 2009
Everything that happens live

We were in Glasgow's Royal Concert Hall last night for a brilliant night watching Mr David Byrne and his excellent band. When I say excellent, of course, I mean excellent, as Byrne played the majority of his latest album and Eno collaboration 'Everything That Happens Will Happen Today' proving that all the tracks lose nothing, if not sound better, live and onstage. There were also a select number of tracks from the Talking heads days including the brilliant, and one of my own personal favourites, Heaven. Byrne rebelled against the usual few folk shouting for Psycho Killer and played more than a few more obscure and brilliant Heads songs including I Zimbra, Born Under Punches and Houses in Motion. All the while Byrne was accompanied by his great band and, the majority of the time, by three professional ballet dancers who spun, shimmied and acted around him as he sang, the male dancer at one point jumping over the lead singer, leaping Byrne's full height like it was a walk in the park. Life During Wartime, Once in a Lifetime and Burning Down the House were the big Heads hits sung on the lead up to the finally which was the slow but beautiful title track to the latest album. On entering, at the beginning of the gig, Byrne received a standing ovation to which he smiled 'that's what we came for, may as well go home now', the trouble was, even after the lights came back up 2 hours later, nobody did want to go home.
Friday, 12 December 2008
Don't look back in anger
Enjoyed Chris Moyles' show on Radio 1 this morning. On Friday morning he talks less and plays more, playing great tunes from years gone by, chosen by him and his team. Whilst driving to work I was pleasantly surprised when he played Sleeper?! The small, britpop band from the early to mid nineties fronted by the superbly beautiful Louise Wener (slightly unfortunate name there). My first ever proper gig back on the 26th May 1996. At least, I think that's when it was. The first of many, and the first visit to the Glasgow Barrowlands too. Chaz, Colin and myself being successfully crushed, battered and bruised in the rocking Glasgow crowd. It was absolutely mental and I'm pretty sure we were lucky to survive. The sheer pain involved I don't think has ever been surpassed at any gig since. U2 at Murrayfield in 1997 came close though. At the beginning of the Popmart gigs the band would march down an avenue cutting through the crowd, fencing off the fans at either side with waist high, metal barricades. My stomach was pressed up against one of these barricades by the 50,000 people behind me. Not pleasant. I'm surprised I did not crack a rib in that crowd as I managed to stay up against the front of that barricade for the majority of the concert, up ahead of the others who suffered behind. Great gig though considering it was a fairly middling point in U2's excellent career. It's about time we had some new material from them.
Going back to Britpop, we heard yesterday Blur are getting back together again for some special gigs next year. Always liked Blur but for some reason opted for Oasis in my younger, foolish, days when the whole Blur v Oasis Britpop war was going on. When Blur grew more experimental with their tunes I definately started liked them more and more, their sound moving away from traditional Britpop and maneuvering into more electronic, atmospheric art rock with the '13' album and 'Think Tank'. Something Oasis have never done. They've stuck firmly to the good old strumming and whining routine most of the time. However, I have to admit to almost liking Oasis' new tunes that are getting the airplay at the moment. After 'What's the Story Morning Glory' I mostly lost interest with them, revisiting them briefly with the 'Heathen Chemistry' album a few years back but again, not paying much attention following that. A band that have had definite flashes of brilliance in their music over the years but have suffered terribly with ego problems. That was always a Manchester thing though wasn't it? The Stone Roses were the same. Egos the size of Manchester itself. Liking the new tunes from Snow Patrol and the excellent Killers. Not sure what the new Killers' Song lyrics are all about ('Are we human or are we dancers'?) but who cares, U2 and Oasis have got away with shoddier than that (not that the two of them are in any way alike). You'd have a field day in a shoddy lyrics competition with Oasis.
Going back to Britpop, we heard yesterday Blur are getting back together again for some special gigs next year. Always liked Blur but for some reason opted for Oasis in my younger, foolish, days when the whole Blur v Oasis Britpop war was going on. When Blur grew more experimental with their tunes I definately started liked them more and more, their sound moving away from traditional Britpop and maneuvering into more electronic, atmospheric art rock with the '13' album and 'Think Tank'. Something Oasis have never done. They've stuck firmly to the good old strumming and whining routine most of the time. However, I have to admit to almost liking Oasis' new tunes that are getting the airplay at the moment. After 'What's the Story Morning Glory' I mostly lost interest with them, revisiting them briefly with the 'Heathen Chemistry' album a few years back but again, not paying much attention following that. A band that have had definite flashes of brilliance in their music over the years but have suffered terribly with ego problems. That was always a Manchester thing though wasn't it? The Stone Roses were the same. Egos the size of Manchester itself. Liking the new tunes from Snow Patrol and the excellent Killers. Not sure what the new Killers' Song lyrics are all about ('Are we human or are we dancers'?) but who cares, U2 and Oasis have got away with shoddier than that (not that the two of them are in any way alike). You'd have a field day in a shoddy lyrics competition with Oasis.
Labels:
Blur,
Britpop,
Concert,
Music,
Oasis,
Radio,
Sleeper,
Snow Patrol,
The Killers,
U2
Sunday, 26 October 2008
Throwing subtle shapes
Friday night was interesting as Ka and myself went into town to see Alphabeat. Yes, you read right. Alphabeat. The cheesy, danish pop band, that I have slagged in previous writing, hit the Glasgow ABC on Sauchiehall Street. It's a very strange feeling to be among the oldest in the crowd at a gig. Ka and myself joined the queue outside among small guys with trendy fedora hats and yelping girls with multi coloured tights and sparkly plimsoles. This all started because we missed Alphabeat at T in the Park in June this year, because I had delayed us in losing my wallet, so I had promised to take Ka along to see the grotesquely cheerful danes when they played Glasgow in the near future. Unfortunately, she kept me to my word. Being only thirty, it is a bit of a shock to find yourself in a small minority of folk as the elders of the crowd at a gig. Ka and myself played 'spot the old person' when we got in to the large club venue, looking for older folk. Looking for grey hair, middle aged girths or people who had refused to leave their coat in the cloak room, as if leaving your jacket at the mercy of some young cloak room attendant was unsafe or foolish. Not being one to be put off by any of this, however, I tried to get into the atmosphere, with the help of a few vodkas and jumped about to the music like the rest of them. Well, shuffled about, anyway. The two support acts were surprisingly okay too. A leggy trio named Pandering and the Golddiggers kicked things off with some interesting moves and some music that didn't sound unlike some eighties throwback electronica. The three singers/dancers, two girls, one bloke, dressed in very little and what little there was, was extremely tight. The trio's weirdest attribute was by far, the bloke singer's hairdo. They were followed by the Belgian band Das Pop who had none other than Brian Blessed on Lead guitar (or so it looked like with my old glasses on). They would probably have been better if it had been Brian Blessed on guitar. "Das Pop's ALIVE!". Alphabeat were actually better than I thought they'd be. Very energetic, colourful, kooky and fun, not to mention ridiculously happy, as they always are. The main lead singer, AndersSG (no idea what the name is all about) jumping about like a crazy person smashing his tambourine off various body parts, whilst the little lassie, Stine, threw some subtle shapes on the spot. Complete candy floss pop but good for a bit of fun. The worst part of the night was waiting in the queue for the cloakroom. Damn those sensible old people, they were right!
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